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WOKE : a solo presentation of Ashley Norwood Cooper at VOLTA NYC 2020

Past exhibition
26 March - 25 April 2020
Open a larger version of the following image in a popup: Ashley Norwood Cooper, The Girl's Room, 2019

Ashley Norwood Cooper US, b. 1970

The Girl's Room, 2019
oil on panel
60 x 48"
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Exhibitions

SLEEPLESS  |  Seattle Deconstructed Art Fair 2020  | a solo online presentation of works by Ashley Norwood Cooper during the Covid 19 Lockdown Pandemic 
Crying Man with Crone and Black Swallowtails and Crying Men Are Comforted By the Divine Mother (and a Beagle) are paintings that connect the Girl’s Room Paintings with the Picnic...
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Crying Man with Crone and Black Swallowtails and Crying Men Are Comforted By the Divine Mother (and a Beagle) are paintings that connect the Girl’s Room Paintings with the Picnic at Sunset Paintings. Crones and Witches live at the edge of the woods. They are healing figures, but also dangerous. They worship the Divine Mother. I think Vesper kind of relates to these paintings, though even I am not sure I know what that one is about. The edge of the woods is a hard place to understand. I have walked in the woods a lot this summer and in a way I have seen walking in the woods as a metaphor for this past year and this time of my life. I have had more questions than answers. I have had to live with uncertainty, and there is a lot of uncertainty in these paintings.
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