“Swarm,” a solo museum exhibition of the work of Ashley Norwood Cooper, opened at the Fenimore Art Museum in Cooperstown, New York, at the start of April.1 Marking the occasion was one of the more interesting of such events I’ve witnessed: a double presentation by the artist and A. E. Stallings, a poet whose work has graced this publication. Stallings and Norwood Cooper were college roommates in the thick of the veritable renaissance that took place in Athens, Georgia, in the late 1970s through the mid-1980s.
Bees In The Sphere Of The Mytho-Domestic by Franklin Einspruch
Franklin Einspruch, Tne New Criterion, April 28, 2023
