WHAT ARE YOU LOOKING FOR?: a solo exhibition of works by Rachel Campbell
ZINC contemporary is pleased to present a major solo exhibition of new work featuring artist Rachel Campbell. What Are You Looking For? frames Campbell’s career-long exploration of memory and nostalgia, most notably in the American South; working intuitively with the juxtaposition of light and shadow, abstraction and realism, and memories that are at once glum and humorous.
Influenced by artist David Hockney, Campbell plays with layers of abstraction, transforming figurative scenes into what she coins “abstracted realism.” As a visual storyteller, Campbell appropriates narratives that trigger memories: the slapstick antics behind the counter of a pastry shop, or the profoundness of unassuming lives lived behind the scenes. She characterizes this series of oil paintings as her own journey in “snapshots,” while inviting interplay from a collective cultural memory at large.
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Rachel Campbell, Food Pride III, 2019 Sold
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Rachel Campbell, Frida and I on a Summer's Day, 2019 Sold
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Rachel Campbell, Some Days, Depending on the Day, I Can't See the Trees for the Wood, 2019
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Rachel Campbell, That Guy in Starbucks with a Venti and a Fitbit, 2018 Sold
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Rachel Campbell, Then He Said There Was Kindness, 2016 Sold
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Rachel Campbell, Same But Not The Same, 2019 Sold
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Rachel Campbell, The Garten Café, 2019 Sold
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Rachel Campbell, The Morning After The Night Before, 2015
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Rachel Campbell, To Remember We All Have A Story, 2016
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Rachel Campbell, Still Life with Bread and Confectionary after Flegal, 2019 Sold
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Rachel Campbell, I Just Always Wanted To Paint A Blue Landscape
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The Playful And The Personal: Rachel Campbell
Tamera Lenz Muente, Artists Magazine, April 1, 2020 -
Nostalgic Oil Paintings Capture Overlooked Beauty of Ordinary Moments
Emma Taggart, My Modern Met, December 5, 2019 -
Pioneer Square Art Walk – First Thursday guide for Dec. 5
Lily Hansen, Real Change, November 27, 2019 -
“What Are You Looking For?” by Rachel Campbell—a new exhibit at ZINC contemporary
Aakanksha Agarwal, Seattleite, November 11, 2019