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PATTERN RECOGNITION: a solo exhibition of works by Holly Ballard Martz

Past exhibition
7 June - 6 September 2018
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Overview
Holly Ballard Martz Danger of Nostalgia (in wallpaper form) , 2018 powder coated steel hangers, brass nails, paint 12 x 12'
Holly Ballard Martz
Danger of Nostalgia (in wallpaper form) , 2018
powder coated steel hangers, brass nails, paint
12 x 12'

Holly Ballard Martz returns in June with Pattern Recognition, her second solo show with ZINC contemporary. This exhibition of mixed media sculpture is a response to our politically charged time. Whereas prior exhibitions saw the sculptor turning inward to explore personal histories, Martz now puts the spotlight unwaveringly outwards towards her fellow citizens, elected officials, and world leaders, highlighting the pitfalls of collusion, silence, and the dangers of going backwards. In psychology and cognitive neuroscience, pattern recognition is the process in which incoming stimuli is matched with information retrieved from memory – it is the basis for learning.


Martz utilizes text and found objects to examine patterns of behavior and thinking, confronting her own latent biases and those woven into our national fabric. Martz proposes that we use pattern recognition as a form of unlearning by highlighting patterns that have become so ingrained as to render them invisible. Only by acknowledging systems of oppression can we hope to challenge them and ultimately change them.


Pattern Recognition finds Martz chemically bleaching all color from American flags, reducing them to an eerie white-on-white textile; an effective stand-in for anti-immigration and pro-white sentiments in contemporary political circles. Vintage x-ray viewers illuminate the myth of colorblindness as it pertains to race. She morphs dozens of wire coat hangers into the shapes of the female reproductive system, a slow and painful process that is an exercise in endurance for her hands, and is also representative of the slow and painful trudge towards full reproductive rights for women in America. And men's detachable shirt collars are stacked in a column, a monument of white male dominance.  

 

 
Works
  • Danger of Nostalgia (in wallpaper form)
    Danger of Nostalgia (in wallpaper form)
  • Orwellian Steel (war is peace, ignorance is strength (SOLD), freedom is slavery)
    Orwellian Steel (war is peace, ignorance is strength (SOLD), freedom is slavery)
  • Old Glory (whitewashed and threadbare)
    Old Glory (whitewashed and threadbare) Sold
  • Triage
    Triage
  • I Don’t See Color (black)
    I Don’t See Color (black) Sold
  • I Don’t See Color (white)
    I Don’t See Color (white) Sold
  • Security Blanket
    Security Blanket
  • To The Highest Bidder
    To The Highest Bidder
  • Land of the Free (Shakedown)
    Land of the Free (Shakedown)
  • Tower of Power
    Tower of Power
  • Scripture
    Scripture Sold
  • Old Glory (whitewashed and threadbare)
    Old Glory (whitewashed and threadbare) Sold
  • Stacked
    Stacked Sold
  • Power Grid
    Power Grid
  • Double Crossed Since Birth
    Double Crossed Since Birth
  • Bought and Sold
    Bought and Sold Sold
  • US Rorschach
    US Rorschach Sold
  • Separation Of - framed
    Separation Of - framed
Installation Views
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Press
  • Art as a Guarantee of Sanity: Interview with Holly Ballard Martz

    Alicia Puig, Create Magazine, March 19, 2020
  • Meet 12 Fierce Feminist Artists Who Marched in a Get Out the Vote Parade Ahead of Today’s Midterm Elections

    Sarah Cascone, Artnet, November 6, 2018
  • "Danger Of Nostalgia": This Artist Bridges Past And Present To Send A Message About Abortion Rights

    Amy Pleasant , Bust Magazine, September 1, 2018

Related artist

  • Holly Ballard Martz

    Holly Ballard Martz

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