BEFORE & AFTER: new works by Sarah More

1 March - 15 April 2023

2022 brought about great personal change for Artist Sarah More. The artist's natural tendency toward reflection - turning over events, puzzling the metaphors of cause and effect, pinpointing intersections of time and space - have moved her process to an almost alchemical abstraction of patterns, symbols and colors.

 

Each work in the exhibition marks a time of change experienced by the artist. Though the works are extremely complex and laborious to create, they represent just a split second in time, while leaving a lasting puzzle of color and shape for the eye.

 

Growing up, More was surrounded by her mother’s handmade quilts and her father’s massive collection of rocks and minerals. She sites these items as the seeds of her creative practice - a practice further informed by the works of Geometric Abstractionists and Bauhaus Designers - Sonia Delaunay  (originally named Sarah as well), Anni Albers, and Gunta Stölzl.

 


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    “The work in this show is the culmination of these moments that created great change in my life and artistic practice. My work has always been a place of solace for me - a place where I ruminate on life events, and escape into an abstract reality that brings comfort and exhilaration.”

     


     

    • Sarah More, Motherboard 1, 2022
      Sarah More, Motherboard 1, 2022
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    • Sarah More, Motherboard 2, 2022
      Sarah More, Motherboard 2, 2022
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    • Sarah More, Rose Parade, 2022
      Sarah More, Rose Parade, 2022
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    • Sarah More, Nowhere To Land, 2022
      Sarah More, Nowhere To Land, 2022
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    • Sarah More, Call Me When You Get There, 2023
      Sarah More, Call Me When You Get There, 2023
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    • Sarah More, The Other Side Of Somewhere, 2023
      Sarah More, The Other Side Of Somewhere, 2023
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  • Walking Meditations

    More's abstract compositions are inspired by daily walks, during which she absorbs the present through the shapes and patterns she encounters - both natural and manmade. 
     
    "Walking allows me an opportunity to clear my head while taking in my surroundings. Stairways, crosswalks, windows, flowers, puddles, and trash crash together in front of me. When I return to the studio, I redraw these disparate parts from memory and photographs, distilling them even further into their most basic, abstract forms," states More. 

     

     
    • Sarah More, Daily Jumble, 2023
      Sarah More, Daily Jumble, 2023
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    • Sarah More, Wonderland, 2023
      Sarah More, Wonderland, 2023
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    • Sarah More, Drunkards Path, 2023
      Sarah More, Drunkards Path, 2023
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    • Sarah More, The Last Of The Leftovers, 2022
      Sarah More, The Last Of The Leftovers, 2022
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    • Sarah More, Red Rhapsody, 2017
      Sarah More, Red Rhapsody, 2017
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  • Installation Images

  • The Scale of Things

    The Making of a Meta Mural

    Though the circumstances alluded to in BEFORE & AFTER are largely personal, an important practical shift occurred in the artist’s practice with the opportunity to create a mural for Meta’s Open Air Arts Program. Prior to the mural, much of More’s work was gouache on paper at an intimate scale.

     
  • BEFORE BEFORE

    BEFORE

    “I worked small - lots of crowded shapes created with a loose plan and painted from a single point out. When the opportunity to create a mural for Meta was presented, I was terrified. I had never worked that large and I knew that I would have to change my processes completely. This expansion in scale was thrilling and I just wanted more.”
  • AFTER AFTER

    AFTER

    "When the prospect of a mural appeared through this program, my world opened up. Suddenly, I had an opportunity to work larger than I ever had before, and because of the way in which this particular commission worked, I was asked to compose the design ahead of time, making tweaks here and there for the Meta team to review instead of approaching the piece from a concentrated area out as I had always done in the past."
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